John Powers, NPR:
‘Pain and pleasure do the tango in the engrossing new novel Kairos, the story of a love affair set in East Germany right before and after the fall of the Berlin Wall. It’s the latest book from the East Berlin born Jenny Erpenbeck, the 57-year-old writer and opera director who I fully expect to win the Nobel Prize sometime in the next five years. A grownup writer for grownup readers, Erpenbeck has an unsurpassed gift for showing how our ideas, passions and choices are shaped – and reshaped – by passing time and the ceaseless transformations of history.’
Charles Finch, Los Angeles Times:
‘Inasmuch as the German novel exists, however, its undisputed star in America at the moment is Jenny Erpenbeck. She’s a writer with a roving, furious, brilliant mind, and in her best-known books, including Go, Went, Gone, about a retired professor drawn into the refugee crisis, she fuses the emotional and historic in a way that suggests a new path for — well, the German novel. Now, in her severe but rewarding “Kairos,” Erpenbeck has done it again, carefully mapping the disintegration of an East German love affair onto the era just before the 1990 reunification of Germany. The book bears with it, as so startlingly few novels seem to when you encounter one that does, the absolute urgency of existential questions. Questions that encompass both the fall of the Berlin Wall and the rise of S&M.’
Natasha Walter, the Guardian
‘Jenny Erpenbeck’s Kairos is one of the bleakest and most beautiful novels I have ever read. On one level, it is a love story, or rather a story about the loss of love. It begins with a woman, Katharina, hearing about the death of her former lover. Boxes of his papers are delivered to her apartment, and when she finally sits down to open them the past rises before her like a pack of playing cards thrown into the air. […] Throughout these personal and political journeys, Erpenbeck never reaches for the stock phrase or the known response. While the novel is indeed bleak in its view of love and politics, spending time with Erpenbeck’s rigorous and uncompromising imagination is invigorating all the way to the final page.’